Thursday, January 31, 2013

What if I used my iPad for quick sketches etc. more frequently. . . .

I asked myself several posts ago "What if I just SHOWED UP?" to my blog each day. And I did for a few days and it worked well but then I got distracted and bogged down by end of the year taxes. Well, the taxes are done and I haven't been showing up.

A new "What If" I've asked myself is: What If I tried doing more digital sketching or painting? Would I be able to get more comfortable with the applications? At least enough so that they could be useful for quick sketches or brainstormed ideas? I have an iPad, which I absolutely love, and had previously downloaded and tried--a little--some sketching/painting apps. I have Paper 53 and Sketchbook Express right now and I've ruled out some of the other ones previously as not meeting my needs. Paper 53 is very attractive, fun, and seems to be able to handle my requests now that I know how to manipulate the pallette and open and close the program. I can also easily save a drawing and send it to Facebook or email it to myself or others.


I'll show you what I've done so far and tell you what I plan to do with the app. Here are my first 4 attempts, in the order in which I created them. I was pretty happy with this first one, an early Valentine's Card. I tried most of the effects, with more success on some than on others. It was quite easy to do once I got started.

Valentine's Card
Quick fun drawing of one of my favorite quotes.

Further experimentation. You can't use text with this app, just handwritten notes or writing.
I tried making a quick "Save the Date" note for the next Art Hop event coming up. My next goal is to do the next Art Hop Flyer using Paper 53. Maybe not ALL of it but the graphic part of it. So, watch for more attempts over the next weeks and if you have an iPad, join me in trying out some programs. I heard of another one called Rage Art or Art Rage ($4.99) which has a LOT of different paint effects but it looks more difficult and I haven't tried it yet.

Monday, January 21, 2013

Jump for Joy!



It was a glorious day today--the high was 64 degrees. After our recent cold spell with nights as low as 27 degrees, it felt like summer today. The last few nights have been comfortable and quiet, too, with no wind machines blowing in the orchard behind us. What if we were truly grateful for all the small gifts we are given each and every day? What if we went a day or a week or a month--or a year--without complaining about things that will make no difference a day or a month or a year or five years from now? What if we held that thought and expressed our gratitude more often and complained less?

Saturday, January 19, 2013

Thoughts from a radio conversation. . . .

Yesterday, while I was in the car, I had the radio on and was listening with half an ear to a discussion about the economy, financial issues etc. My ears perked up when I heard this statement:

"If you don't have enough information about a subject, your imagination kicks in and fills in the blanks."



All of a sudden my mind took some quick turns and transported me back to something the late Monte Guynes told his art classes about ten years ago. He said "Don't finish the painting for them--let THEM do that!" He was a firm believer in NOT finishing every detail of a painting--of letting the viewer put themselves into it, in leaving something mysterious about it so that the viewer could finish it and fill it in with his/her own imagination. "If you don't have enough information about a painting, your imagination kicks in and fills in the blanks." And the odds are that your imagination completes it in a way that satisfies YOU and makes it complete and often becomes the reason that you painted the painting or that you purchased the painting.

So, what if you left something mysterious, nebulous, or un-said about that painting that you're currently working on? Let the viewer add the details of the face if it's a painting with a person in it. Let the viewer's mind embellish the landscape in the area where you've left soft edges. Let the viewer put something of himself/herself into the painting that makes it truly theirs. Sometimes it's a sale when you do. . . . . . .

Thursday, January 17, 2013

Irregularity Plagues Us All!

What if we don't post on our blogs every day? Will it signal the end of the world? Will our pay checks be docked? Will be we struck by lightning?

Nothing will happen. The world will go on. Life will not change. No one will reprimand us or give us a bad evaluation. It is OK to miss a day or two now or then, or even a week or a month. As John Lennon said: "Life is what happens while we're making other plans."


Sunday, January 13, 2013

"Rubber Ducky, You're the One. .. . "

What if we actually got all our ducks in a row--that is, in the SAME row, at the same time? Would we be satisfied or would we still feel that pressing need to get organized, finish our projects, or complete the tasks that need to be done? I guess the real question is: "does anyone actually ever get all their ducks in a row?"

I was curious where the phrase comes from and this is what I found out doing a quick Google search:

There are several theories about where the phrase originated. One is
the is comes from the bowling industry where pins used to be smaller and thicker than today's pins; they were called "ducks" and putting them all in a row referred to the handsetting of pins.

Another possibility is related to Mother Duck's mode of traveling with her ducklings: all the babies follow behind Mother Duck in a straight, close line for their safety. This makes sense when you see a row of ducklings following their mother across a road. Other possiblities are that the term refers to the ducks used in mechanical shooting games at a arcade, "ducks" as the metal weights formerly used by engineers to define a curve, or "ducks" as cargo bins which must be lined up on the dock before being loaded onto a ship.

Some sources say that the term was first seen in print in a Stephen King novel in the 1970's so it is apparently a relatively new term, not one from ancient times.

Regardless of it's origin, the term means to ensure all of the small details or elements are accounted for and in their proper positions before embarking on a new project. When a person is fully prepared for any eventuality and has every element in place, he or she can indeed be said to have his or her ducks in a row.


When I'm feeling disorganized and "scattered", it helps me be more productive by getting things back in order. I clean the studio, sort magazines, clip articles, bag paintings and prints, clean paint brushes etc., not as a way of getting out of working but rather of putting things to rights so that I can work more efficiently and effectively, with a clear mind. I always used to clean my desk, room, closet etc. the day after school was out--like a routine that helped me change gears from the school year to summer vacation, perhaps. Now, I think I'll take visualize taking a nice hot bath and see if (in my mind) I can get all the rubber duckies in the tub swimming in the same direction, visually an analogy for my preparation for a productive artistic year in 2013! And then I'll get back to work on the projects and commissions that need to be addressed before I can move on to personally creating some new paintings which are now simmering in the back of my mind.





Saturday, January 12, 2013

Observation of the Oddly Unexpected


What if the unexpected becomes the expected?



I love wearing 2 different socks to see if anyone notices. Usually, no one does. . . or if they do, they don't say anything about it. Is it for the shock value, the personal satisfaction, or the fact that I can only find one of each particular pair on a given day? I'll never tell. :)

What if the abnormal becomes the normal? What if there is no real "normal" or everyone's normal is different? That's what keeps life interesting, in my estimation. No 2 people process or store information in the same way and it's always fun to observe how others deal with situations, respond in conversations, and react to stimuli. It's fun to see who is observant and who isn't and how they feel about the differences they observe. Do you think things must be matching/symmetrical or do you enjoy oddness now and then?

Thursday, January 10, 2013

Three questions for you to respond to--pick any or all of them

1. What if artists played more often? (It would be fun!)

2. What if we incorporated play into our work every day? (I do!)

3. What if our classes centered on "play"? (Mine do, but some people have to be taught to play and "what if" and they still are resistant.)

How would you answer these 3 questions?